Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is "allergic to everything", and sticks with Vada despite her hangups. When Vada s father hires Shelly, a makeup expert, in his funeral parlor, and begins to fall in love with her, Vada is outraged and does everything in her power to split them up.

In this course, veteran instructor and concept artist for video games Matt Kohr teaches you digital painting techniques and workflow tips that will prepare you to work as a concept artists professionally.
All too often, artists are quick to think of Photoshop as a digital canvas, and approach it from an old paradigm. The problem is that Photoshop plays by some fundamentally different rules. If you adjust your mindset to acknowledge the inherent strengths of the software, you’ll be much more prepared to make large-scale changes to the image at a moment’s notice – an invaluable skill in the concept art industry.

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A criminal psychologist awakens to find herself a patient in the institution where she works, with no memory of the murder she s accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her.

This course on creature animation for visual effects projects will focus on creating believable creature motion and performance through knowledge of real animals and using that knowledge to inform the movement of a fantasy creature. David Breaux will discuss some of his techniques for blocking, moving into rough animation, and finalization of a shot. He will also cover some approaches to thinking about the shots and tackling the multitude of issues that an animator is confronted with on a daily basis during production.