Matt Roberts presents live coverage of Round 15 of the MotoGP Championship. Which riders will boycott this race and who will take the top step of the podium?

AE Tuts+ Magic Glass Breaking Time Freeze (+ Project Files)
English | MP4 | + Project Files | 847.2 Mb

In this tutorial I will show you how to create a cool looking glass/window break. I'll be talking through some basic compositing with Action Movie Essentials 2 and cover a little time remapping.

AE Tuts+ Open Up a 3D Extruding Box Logo Reveal
English | .FLV VP6F | 1280x720 24 fps | MP3 Stereo 44.100 Hz 128 kbps | 00:37:32 | 262.6 Mb

In this tutorial you will learn how to create sharp extruding squares to reveal either your text or your logo. This tutorial will focus on jumping deeper into Trapcode Particular to bring this animation to life.

AE Tuts+ Walking Through 3D Text (+ Project Files)
MP4 | 00:35:06 | After Effects CS5.5 | 505.8 Mb

In today's tutorial we're going show how to create the super popular effect of having a person walk right through a 3d logo or text. We'll cover shooting tips, matchmoving principles, and a whole lot of other helpful info to pull this shot off right! We'll also show you a way to create this effect without using ANY expensive 3rd party plug-ins!

AE Tuts+ Elemental Combat Series (+ Project Files)
6 Tutorials | .Mp4 | + 6 Project Files | .AEP/MOV/WAV | 1.62 GB

Hey guys! How about a week of compositing tutorials on some action filled scenes like from The Last Airbender? Sound good? If so, awesome, you're in for a treat. We've got 4 days of new tutorials for your learnin' pleasure! I'll show you how to make some electric arcing from your hand, form and shoot a fireball, and tunnel through the ground.

Beauty Retouching Techniques in Photoshop with Gry Garness
English | MOV | 2xDVD | 13h 46min | Sample Resources | 6.81 Gb

This is an educational tool aimed at intermediate to advanced Photoshop users. It's effectively a 13 hour one-to-one with Gry Garness, an experienced trainer and London-based retoucher, demonstrating graphics tablet based professional retouching through a great variety of images, with models and non-models. It's adaptable to all types of retouching - not just favouring one particular style. All methods are based on Gry's vast practical knowledge within photography, hair & make-up as well as retouching. The tips she offers are both visual and technical, giving you an insight into a retoucher's thinking during the work process. All the techniques are editable and are perfect for commissioned retouching where the brief often changes by the hour. The 54 tutorials are presented on a 2-disk set DVD-rom. Tutorials are Photoshop CS5 updated, but relevant for all CS versions. They are straightforward and conversational in tone, but with advanced content and crystal clear instructions. A set of Tool Preset and a limited set of training images is supplied.

HDDSLR Filmmaking with Gale Tattersall (Session 3)
English | AVC1 948x534 30 fps | AAC 128 Kbps 44.1 KHz | 12.73 GB

For the first time in history a camera that costs roughly $2,500 can shoot material good enough to hold its own weight on the highest professional levels. Gale Tattersall, renowned Director of Photography, has been at the forefront of pushing HDDSLR’s in Hollywood. He shot the season finale of House entirely on a Canon 5DMII last year.

HDDSLR Filmmaking with Gale Tattersall (Session 2)
English | AVC1 948x534 30 fps | AAC 128 Kbps 44.1 KHz | 11.92 GB

For the first time in history a camera that costs roughly $2,500 can shoot material good enough to hold its own weight on the highest professional levels. Gale Tattersall, renowned Director of Photography, has been at the forefront of pushing HDDSLR’s in Hollywood. He shot the season finale of House entirely on a Canon 5DMII last year.

HDDSLR Filmmaking with Gale Tattersall (Session 1)
English | AVC1 948x534 30 fps | AAC 128 Kbps 44.1 KHz | 24.46 GB

For the first time in history a camera that costs roughly $2,500 can shoot material good enough to hold its own weight on the highest professional levels. Gale Tattersall, renowned Director of Photography, has been at the forefront of pushing HDDSLR’s in Hollywood. He shot the season finale of House entirely on a Canon 5DMII last year.

IEEE Computer magazine (2004-2011) collection
English | Years: 2004-2011 | ISSN: 0018-9162 | PDF | 722 MB