Nora Dunn is a struggling artist desperately trying to recover from a childhood trauma, but her life is turn upside down when she is haunted by the vision of a long dead childhood friend. Is the spirit a hallucination or a foreshadowing of something worse to come? It is up to Dan Tsang, a young police detective to solve the mystery and save Nora before it is too late

Borat trickster Sacha Baron Cohen returns to the big screen to offer yet another stinging dose of sociopolitical satire in this comedy that finds him assuming the persona of gay fashionmonger Bruno, the self-proclaimed “voice of Austrian youth TV.” Originally conceived as part of Cohen’s cult television series Da Ali G Show, the character of Bruno offered a cleverly costumed Cohen the opportunity to highlight the absurdities of the fashion industry by interviewing unsuspecting fashion icons and other haute couture hangers-on.

It’s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben’s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at a wild party, the two find themselves locked in a mutual dare: to enter an amateur porn contest together. But what kind of boundary-breaking, envelope pushing porn can two straight dudes make? After the booze and “big talk” run out, only one idea remains — they will have sex together on camera. It’s not gay; it’s beyond gay. It’s not porn; it’s art. But how exactly will it work? And more importantly, who will tell Anna (Delmore), Ben’s wife?

Genre: Documentary | Music
IMDB rating: 7.4/10

Directed by: Kenny Ortega
Starring:Michael Jackson

Release Name:This.is.IT.TS.XviD-IMAGiNE
Size: 1.4 gb
Video: XVID, 704×384 1679 kbps
Audio: MP3, 128kbps

Michael Jackson’s This Is It[6] is a 2009 American concert film documenting Michael Jackson’s rehearsals of the concert series of the same name (scheduled to start on July 13, 2009, but cancelled because of his death on June 25, 2009), both on stage and behind the scenes. The film shows Jackson mentoring his team for the 50 shows, as well as him creating, developing, and ultimately staging the high-tech performances. The film’s director Ortega confirmed that when Jackson had filmed footage of himself rehearsing that he never had the intention of releasing it to the public, but after Jackson’s death, it was agreed that the film be made and released for Jackson’s fans. The footage was filmed at The Forum and the Staples Center in Los Angeles, California. Despite originally being set for an October 30, 2009, release date, the film’s release date was rescheduled for October 28, 2009; due to a strong demand by Jackson’s fans. The was given a wide worldwide release and a limited two-week theatrical run from October 28, to November 12, 2009. Tickets went on sale a month early on September 27, 2009, to satisfy a high anticipated demand.

“The Limits of Control” is the new movie from filmmaker Jim Jarmusch (”Broken Flowers,” “Down by Law”). The film is set in the striking and varied landscapes of contemporary Spain (both urban and otherwise). The location shoot there united the writer/director with acclaimed cinematographer Christopher Doyle (”In the Mood for Love,” “Paranoid Park”). Isaach De Bankolé stars in the lead role for Mr. Jarmusch; this marks the duo’s fourth collaboration over nearly two decades, following “Night on Earth,” “Ghost Dog: The Way of the Samurai,” and “Coffee and Cigarettes.” “The Limits of Control” also features several other actors with whom Mr. Jarmusch has previously worked, including Alex Descas, John Hurt, Youki Kudoh, Bill Murray, and Tilda Swinton; and actors new to his films, including Hiam Abbass, Gael García Bernal, Paz De La Huerta, Jean-François Stévenin, and Luis Tosar.

When Andrew unexpectedly shows up on Ben's doorstep late one night, the two old college friends immediately fall into their old dynamic of heterosexual one-upmanship. To save Ben from domestication, Andrew invites Ben to a party at a sex-positive commune. Everyone there plans on making erotic art films for the local amateur porn festival and Andrew wants in. They run out of booze and ideas, save for one: Andrew should have sex with Ben, on camera. It's not gay; it's beyond gay. It's not porn; it's an art project. The next day, they find themselves unable to back down from the dare. And there's nothing standing in their way - except Ben's wife Anna, heterosexuality, and certain mechanical questions.